The exhibition project Middle Gate II – The Story of Dymphna is a collaboration between M HKA (Museum of Contemporary Art Antwerp) and the cultural centre de Werft in Geel. Middle Gate II is the follow up to the exhibition Middle Gate, curated by Jan Hoet in Geel in 2013. The exhibition concept is closely tied to the legend of the holy Dymphna, saint of the possessed, the mentally ill and patroness against epilepsy and insanity. The legend of Dymphna shares a strong connection to the identity of Geel, "the charitable city".

Barbara Kruger

Barbarakrugerphotobw
°1945
Lives in New York, US
Born in Newark, New Jersey, US
Lives in Los Angeles, US

Barbara Kruger (°1945) lives and works in New York and Los Angeles. She studies visual arts and design in New York and works for several magazines as a graphic designer and head of the design department.

This background would prove crucial to her subsequent artistic activity. Visual language drawn from the mass media offers very powerful communication tools. Barbara Kruger appropriates the clichés and techniques used in the mass media for artistic ends. She works with the same strategies, but only to transmit her own critical message on sexuality and social and political issues. She replaces messages that in the mass media are intended to encourage consumption by critical, aggressive one-liners like I shop therefore I am, I am not trying to sell you anything or When I hear the word culture I take out my check book. She raises questions about how power functions and its effect on the human condition: how is power accumulated, used and misused. Constantly recurring themes in her subversive and investigative work are feminism, consumption, individual autonomy and desire. She designed posters for a women’s-rights demonstration in 1989 in Washington, wrote a much-translated feminist pamphlet and published pieces on discrimination against minorities and AIDS patients.

Kruger’s work is shown in museums and galleries, but also on advertising billboards, bus stops, posters, T-shirts and plastic bags, as well as in stations, parks or other public places. At first sight, what you see is advertisement. But what you read, clashes with customary advertising messages. In recent work, in addition to written text, Kruger also uses sound, and video-projection alongside photography. The confrontation with the viewer becomes ever more intrusive and claustrophobic; her work comes even closer to the public. Kruger’s concept is both public and political.