Els Dietvorst
(c)scan: M HKA, 2019
Els Dietvorst & Orla Barry 'De Terugkeer van de Zwaluwen - Le Retour des Hirondelles - The Return of the Swallows' (Zwaluwenmagazine), 1999-2005
Set of 5 magazines, published in the framework by social projects 'De Terugkeer van de zwaluwen'. Layout and texts by the artists.
'The Return of the Swallows' was a social-artistic project that lasted for six years (1999-2005). Els Dietvorst made an exhibition in a gallery in the 'Anneessens' district in Brussels, together with a group of 'Swallows', inhabitants of the district. The project resulted in a film.
'The Return of the Swallows' started in 1999 in the Anneessens district, close to the South station of Brussels. Fascinated by this 'transit' neighbourhood and the local population, the Belgian artist Els Dietvorst started a new project. With no artistic form or concept in mind Els Dietvorst began researching the 'roots' of this area and its inhabitants, the migration streams and the historical background. She found 33 so-called 'swallows' from different cultures and social backgrounds to collaborate with her on a six-years project.
The stories and dreams of these swallows are the starting point for this multimedia project, the project gives reality a poetic dimension. From 1999 to 2005, this process resulted in a series of shortfilms, a feature film ('The March, The Burden, The Desert, The Boredom, The Anger', 2004), publications and photographs. The swallows collaborated in all aspects of the work. 'The Return of the Swallows' was finalized in 2006 with a multi-media exhibition in the Palais des Beaux-Arts in Brussels.
During the exhibition, 'The Return of the Swallows, Five Years in the making in the Palais des Beaux-Arts' (April - May 2005), Firefly presented the records of the project in what they called The Swallow Archives: a mobile structure (resembling a swallow's nest that can be dismantled and easily set up elsewhere. The 'module' can be used in schools, cultural centres, museums and independent artspaces.
