The exhibition project Middle Gate II – The Story of Dymphna is a collaboration between M HKA (Museum of Contemporary Art Antwerp) and the cultural centre de Werft in Geel. Middle Gate II is the follow up to the exhibition Middle Gate, curated by Jan Hoet in Geel in 2013. The exhibition concept is closely tied to the legend of the holy Dymphna, saint of the possessed, the mentally ill and patroness against epilepsy and insanity. The legend of Dymphna shares a strong connection to the identity of Geel, "the charitable city".

Hüseyin Bahri Alptekin

© Hüseyin Bahri Alptekin
Global Digestion , 1980-2007
Print , 145 x 935 cm (installation sizes), 9,5 x 15 cm (each)
Digital prints mounted on forex

This cloud-formation work Alptekin created using non-professional photographic printing, Global Digestion depicts hundreds of photographs of toilets and bathrooms the artist visited during his travels. Some even date back to 1979-80 when he was working for the photographic press agency Sipa in Paris, for whom he travelled to different African nations and, additional to his paid work, he began photographing toilets as well as hotel and restaurant signs for the first time. The eventual work was influenced by critical theorist Slavoj Žižek’s book The Plague of Fantasies in which he discusses, amongst other things, the specificities of visiting the toilet for people of different cultures. As an artist who travelled the globe during the rapid period of internationalisation for contemporary art, Alptekin wanted to observe the extent to which the effects of globalisation would bring homogeneity to different societies. Yet, even one the most basic functions of the human body, it seems, is not a universal experience.