The exhibition project Middle Gate II – The Story of Dymphna is a collaboration between M HKA (Museum of Contemporary Art Antwerp) and the cultural centre de Werft in Geel. Middle Gate II is the follow up to the exhibition Middle Gate, curated by Jan Hoet in Geel in 2013. The exhibition concept is closely tied to the legend of the holy Dymphna, saint of the possessed, the mentally ill and patroness against epilepsy and insanity. The legend of Dymphna shares a strong connection to the identity of Geel, "the charitable city".

Hüseyin Bahri Alptekin

H-Facts: Horses and Heroes , 2005
Mixed Media , 23.5 x 23.5 cm (each of İznik tiles),00:19:51 (H-Fact: History: Horses & Heroes),00:07:16 (Potemkin Staircases),00:03:55 (Cupolas Istanbul)
Mixed media, polyurethane copies of Quadriga, 28 İznik tiles, 3 videos, sound

Alptekin’s project Horses and Heroes began with his fascination for the Triumphal Quadriga horse sculptures on the façade of the San Marco Basilica in Venice. The horses were originally sculpted in Istanbul and positioned atop the Hippodrome in Sultan Ahmet Square, before they were stolen by the Crusaders from Europe in the 13th Century. He became interested in the history and use of horse sculptures as public monuments, as well as the role they played in symbolising the power and identitarian nationalism that came with the kings and heroes that rode them. Alptekin subsequently produced a set of three video works considering the influence of these quadriga horses on other monuments, and also depicted them on sets of Ottoman influenced tiles.

 

After initially seeking to return the Triumphal Quadriga horses permanently to Turkey, the artist discovered that life-size replicas existed. He borrowed these from the Basilica in Venice for his participation in the Istanbul Biennial of 2005.