The exhibition project Middle Gate II – The Story of Dymphna is a collaboration between M HKA (Museum of Contemporary Art Antwerp) and the cultural centre de Werft in Geel. Middle Gate II is the follow up to the exhibition Middle Gate, curated by Jan Hoet in Geel in 2013. The exhibition concept is closely tied to the legend of the holy Dymphna, saint of the possessed, the mentally ill and patroness against epilepsy and insanity. The legend of Dymphna shares a strong connection to the identity of Geel, "the charitable city".

Joëlle Tuerlinckx

°1958
Born in Brussels, BE
Lives in Brussels, BE

Joëlle Tuerlinckx (°1958) studies in Brussels at the city’s École de Recherche Graphique. Tuerlinckx’ artistic practice can be summed up as a reflection on the fundamentals of art and is rooted in the ideas of Minimal and Conceptual Art. Her restrained works explore the border between being and not-being, something and nothing.

Tuerlinckx creates simple, almost intangible drawings, videos and installations using basic materials like paper, rope and plastic, together with light and colour. She frequently returns to forms and elements that have been art’s basis for centuries: point, line, circle, square and colour. She often works in situ for her exhibitions, allowing the final artwork to be shaped by the architecture of the space. She uses small interventions, actions and gestures to create carefully poised total works, which only crystallise into art through the perception of the beholder.

Tuerlinckx’ starting point is that art works can only arise in the mind of the viewer, who attempts to complete and interpret what he or she is seeing. She reveals these mechanisms by merely suggesting the image with her sober tools, rather than showing it explicitly.