The exhibition project Middle Gate II – The Story of Dymphna is a collaboration between M HKA (Museum of Contemporary Art Antwerp) and the cultural centre de Werft in Geel. Middle Gate II is the follow up to the exhibition Middle Gate, curated by Jan Hoet in Geel in 2013. The exhibition concept is closely tied to the legend of the holy Dymphna, saint of the possessed, the mentally ill and patroness against epilepsy and insanity. The legend of Dymphna shares a strong connection to the identity of Geel, "the charitable city".

Marlene Dumas

©Private collection, Courtesy Zeno X Gallery, photographer: Peter Cox
Magdalena (a painting needs a wall to object to), 1995
Painting , 200 x 100 cm
Oil on canvas

Marlene Dumas makes engaged portraits, infused with an oppressive unrest, and painted with a sometimes wild, hasty touch. It is no coincidence that precisely the work Magdalena will be shown in the exhibition, a dark and penetrating painting of a female figure turning around. It evokes associations with both disgust and resistance. The gesture conveyed by Marlene Dumas in this work expresses both a remarkable directness, but also an extreme reticence, which functions as a shield of sorts.

Text: Hans Willemse
Translations: Michael Meert