Middle Gate

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    The exhibition project Middle Gate II – The Story of Dymphna is a collaboration between M HKA (Museum of Contemporary Art Antwerp) and the cultural centre de Werft in Geel. Middle Gate II is the follow up to the exhibition Middle Gate, curated by Jan Hoet in Geel in 2013. The exhibition concept is closely tied to the legend of the holy Dymphna, saint of the possessed, the mentally ill and patroness against epilepsy and insanity. The legend of Dymphna shares a strong connection to the identity of Geel, "the charitable city".

    Marlene Dumas

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    Collection M HKA, Antwerp / Collection Flemish Community, image: © M HKA
    Indian Summer, 1996
    Marlene Dumas
    Drawing , 125 x 70 cm
    aquarelle, paper

    It is the female nude, one of the canonical forms of Western art history, that occupies a central place in Marlene Dumas’ works. These watercolour paintings are based on Polaroid images Dumas made during a visit to a notorious Amsterdam strip club named Casa Rosso, as well as on photographs cut out of pornographic magazines. Displaying a sense of vulnerability that can come with sex work, Dumas adopts the ‘cheap tricks’ used to attract male attention – eyes looking at you, genitalia exposed or coyly covered.

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