The exhibition project Middle Gate II – The Story of Dymphna is a collaboration between M HKA (Museum of Contemporary Art Antwerp) and the cultural centre de Werft in Geel. Middle Gate II is the follow up to the exhibition Middle Gate, curated by Jan Hoet in Geel in 2013. The exhibition concept is closely tied to the legend of the holy Dymphna, saint of the possessed, the mentally ill and patroness against epilepsy and insanity. The legend of Dymphna shares a strong connection to the identity of Geel, "the charitable city".

Michèle Matyn

(c)image: M HKA
Bilpannen , 2014
Sculpture , variable dimensions
wienerberger clay, wooden structure

The sculpture Bilpannen (translates as Thigh Tiles) comes out of a performance ritual Matyn made together with six other women, who all together form the “14 thighs”. They produced the tiles by shaping clay over their thighs, before baking them in an oven. This method of making tiles has origins in pre-industrial tile-making techniques by women in rural regions of Europe. The tiles use the physiognomy of the woman’s body to create protective structures.

“One of my most recent performances, ‘Bilpannen’ (Tigh-Tiles), was initiated after my partner remarked that a little shed was roofed with tiles from the town of Boom. Supposedly the women of Boom used to make those tiles with their tighs; those authentic tiles hace a very specific shape. So it was something really close and seemingly banal, but I found it unbelievable. It is wonderful that the female body was a mold for something so efficient and functional as a roof tile. For the performance we obviously used clay from the region of Boom.”  - Michèle Matyn, 2014