The exhibition project Middle Gate II – The Story of Dymphna is a collaboration between M HKA (Museum of Contemporary Art Antwerp) and the cultural centre de Werft in Geel. Middle Gate II is the follow up to the exhibition Middle Gate, curated by Jan Hoet in Geel in 2013. The exhibition concept is closely tied to the legend of the holy Dymphna, saint of the possessed, the mentally ill and patroness against epilepsy and insanity. The legend of Dymphna shares a strong connection to the identity of Geel, "the charitable city".

Nikita Kadan / Нікіта Кадан

©Photo: Pat Verbruggen
Small House of Giants / Будиночок велетнів, 2012
Installation , 250 x 250 x 435 cm
found object, wood, metal, gypsum, paint

Small House of Giants is a combined object, an architectural collage of sorts. It consists of a ready-made living container for builders from the 1970s (containers of such kind are still in use in Ukraine) and a model of a geometric facade referring to the modernist Soviet architecture of the same period. The window of the container is protected by a typical Soviet window grate with radiating bars like the rays of the sun. This ubiquitous element of the post-socialist urban environment is a recurrent motif in Nikita Kadan’s oeuvre, thematising the tension between oppression and dreams, impoverished everyday life and utopian horizons. The installation is accompanied by clippings from socialist publications, emphasizing the shifting social role of the worker within the new capitalist environment in Ukraine. At the same time, it also suggests a critical stance towards the fictive heroic position of workers in the Soviet past. Small House of Giants focuses on the conditions of post-Soviet Ukraine, where neo-capitalist relations are built on the ruins of the ideological society of the past.