The exhibition project Middle Gate II – The Story of Dymphna is a collaboration between M HKA (Museum of Contemporary Art Antwerp) and the cultural centre de Werft in Geel. Middle Gate II is the follow up to the exhibition Middle Gate, curated by Jan Hoet in Geel in 2013. The exhibition concept is closely tied to the legend of the holy Dymphna, saint of the possessed, the mentally ill and patroness against epilepsy and insanity. The legend of Dymphna shares a strong connection to the identity of Geel, "the charitable city".

Middle Gate Geel '13

courtesy Tim Van Laere Gallery, Antwerp, image: (c) Luc Vuegen
Erzgeilststaat: "Diktatur der Kunst" verpuppt sich saufrisch…", 2011
Mixed Media , 28 x 36.5 x 47 cm
acryl, acryl modelleerpasta, mixed media

Jonathan Meese has ruffled feathers on multiple occasions with his radical way of working, important themes and heavy symbolism. In his sculptures and paintings, he refers to mythology, history, pop culture and drama’s found in recent Western history. In addition, he is obsessed with German mythology and calls out for a dictatorship in the arts: ‘subject to art and religion is no longer necessary’. At first glance, Meese’s art comes across as raw and merciless. He reacts to the violence and perverse nature of our modern day society with a manic force. There is however room, in his artworks, for humour and child’s play. This is most notable in the use of materials, for example: bright colours and every day objects or even toys, in his installations.

His oeuvre depicts a capricious universe filled with personal obsessions, strange imagination and history. Meese is part of a new generation of German artist and is acknowledged by painters like Georg Baselitz and Markus Lüpertz. Meese creates large scale visual art where visions are drawn up and universal emotions are touched upon.