Middle Gate

    NLEN

    The exhibition project Middle Gate II – The Story of Dymphna is a collaboration between M HKA (Museum of Contemporary Art Antwerp) and the cultural centre de Werft in Geel. Middle Gate II is the follow up to the exhibition Middle Gate, curated by Jan Hoet in Geel in 2013. The exhibition concept is closely tied to the legend of the holy Dymphna, saint of the possessed, the mentally ill and patroness against epilepsy and insanity. The legend of Dymphna shares a strong connection to the identity of Geel, "the charitable city".

    Els Dietvorst

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    (c)Els Dietvorst Archief, scan: M HKA, 2019
    The Black Lamb, 2011-2014
    Els Dietvorst
    Video
    digital file (colour, sound)

    The Black Lamb is an online film project started in 2011 by artist and filmmaker Els Dietvorst.

    Els Dietvorst watches her neighbours in Duncormick (Ireland) struggling to make ends meet. This sketch of the daily fight for survival, far from the city, offers a unique perspective on the myth of idyllic living conditions in the countryside. The Black Lamb explores anti-utopian themes such as social conflict and survival on the margins. The web documentaries form the research part and the stories form the basis for The Rabbit and the Teasel.

    The Black Lamb final unfolds over a three-year period with seasonal updates. In The Black Lamb, Dietvorst tracks the lives of four local characters focusing on their work and their relationships with their animals. She captures mementos from her own reality, a sheepfarm in Southeast Ireland, with fleeting glimpses into the worlds of local characters. She is drawn to unconventional individuals determined to live as far from the mainstream grid as possible. Dietvorst performs the dual role of sheepfarmer-come-artist-documentarian in this film.

    www.theblacklamb.org

     

     

     ‘One of the more subtle, but profound, offerings of this edition(Burning Ice) is The Black Lamb, a project by documentary filmmaker and artist Els Dietvorst. Her work is sometimes compared to Joseph Beuys and his social democracy concept. Dietvorst recently moved from Brussels to a sheep farm in Duncormick, Ireland from where she watches her neighbours struggling to make ends meet. This sketch of the daily fight for survival, far away from the city, offers a wholly different perspective of the idyllic human condition in the countryside.’  (Peeters, 2013)

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