Middle Gate

The exhibition project Middle Gate II – The Story of Dymphna is a collaboration between M HKA (Museum of Contemporary Art Antwerp) and the cultural centre de Werft in Geel. Middle Gate II is the follow up to the exhibition Middle Gate, curated by Jan Hoet in Geel in 2013. The exhibition concept is closely tied to the legend of the holy Dymphna, saint of the possessed, the mentally ill and patroness against epilepsy and insanity. The legend of Dymphna shares a strong connection to the identity of Geel, "the charitable city".

Nikita Kadan / Нікіта Кадан

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The Spectators / Глядачі, 2016

Nikita Kadan / Нікіта Кадан

Drawing , 5 x (75 x 55 cm)

charcoal on paper

The Spectators is a portrait series of 'public enemies' from the former Uzbek Soviet Socialist Republic in the 1930s.

The Spectators is a series of portraits of 'public enemies' from the former Uzbek Soviet Socialist Republic. In 1934, the constructivist artist Aleksander Rodchenko was commissioned to create an anniversary album to commemorate 10 years of Soviet rule in Uzbekistan. However, during the 1937-1938 period, some of Uzbekistan's top government officials, whose photographs had been published in the album, fell from grace. In his author's copy of the album, Rodchenko painted in ink the faces of the political prisoners because even possessing portraits of “public enemies” could lead to arrest. According to Kadan, the black spots on the faces of the commissioners are themselves portraits of sorts, faces of the spirits of history observing the augmentation of its ruins.

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