Ricardo Brey
Coagulations, 2013-2014
"[...]Brey makes a compact with the very properties of the boxes, in the process erasing the distinction between the personal and the social, private and public, even inside and exterior. This is not to suggest that they somehow cancel each other out; to the contrary, they are elements of a dialectic that refuses to surrender to synthesis, so that things that could or should be opposite embrace their antitheses in gestures of uncritical co-presence."
(Welchman, J., Que le importa al Tigre una Raya Más: The Futility of Good Intentions, 2014, p.52.)
This work was made using iron oxide and sand from different deserts.