Ricardo Brey
"Wind instruments play a great role in the installational arrangements, above all in the later phases of Brey’s work: In Humming (2010), a clarinet is enveloped in a wire mesh, which in a poetic way seems to represent the visual substrate of a harmony of the spheres as the horizon of desires in human striving. The title of Body and Soul (2012) refers to the most famous composition of the standard-setting swing saxophonist Coleman Hawkins, and places a shiny silver saxophone like an archetype in front of the mouth of a wooden sculpture. In three works bearing the title Charmeur de Serpent, Brey combines flutes with old-fashioned black rubber hoses, which are rolled up and interwoven in rhythmic patterns. The structure of Cada Cosa makes one think of a musical score, while in You Can’t ’Scape From What You Are (2012), a kind of gramophone horn from the first half of the twentieth century is placed at the center."
(source: Miessgang, T., Qué le Importa al Tigre una Raya Más: The Futility of Good Intentions., 2014, p. 108, p.111)