The exhibition project Middle Gate II – The Story of Dymphna is a collaboration between M HKA (Museum of Contemporary Art Antwerp) and the cultural centre de Werft in Geel. Middle Gate II is the follow up to the exhibition Middle Gate, curated by Jan Hoet in Geel in 2013. The exhibition concept is closely tied to the legend of the holy Dymphna, saint of the possessed, the mentally ill and patroness against epilepsy and insanity. The legend of Dymphna shares a strong connection to the identity of Geel, "the charitable city".

Rita McBride

°1960
Lives in Rome,
Lives in New York,
Lives in Düsseldorf,

Rita McBride (°1960) studies at Bard College and the California Institute of the Arts. She splits her time between New York, Rome and Düsseldorf, where she teaches at the Kunstakademie.

McBride’s work ranges from architectural sculptures to off-beat publishing projects, and her work is influenced by industrial design, modernist sculpture and minimalist sculpture. Since the mid-eighties, McBride’s work has focused on inconspicuous and seemingly unimportant elements in the contemporary urban landscape, which she takes out of context by playing with their scale, their materials and their connections to their surroundings. She reinterprets parking lot structures, grandstands, conduits, HVAC units, water towers and awnings, and gives them a metaphoric character.

McBride uses materials ranging from rattan to Murano glass, Carrara marble, bronze and canvas, in an effort to illustrate the contradictions between mass production and craftsmanship, between high and low culture. Some of her pieces are large-scale works that are critical of the social uses of public space, and she often accompanies her sculptural architectural works with performances.

McBride also works with publications and actively participates in the production of her exhibition catalogues so that they go far beyond simply illustrating her works and they take on an artistic life of their own.