The exhibition project Middle Gate II – The Story of Dymphna is a collaboration between M HKA (Museum of Contemporary Art Antwerp) and the cultural centre de Werft in Geel. Middle Gate II is the follow up to the exhibition Middle Gate, curated by Jan Hoet in Geel in 2013. The exhibition concept is closely tied to the legend of the holy Dymphna, saint of the possessed, the mentally ill and patroness against epilepsy and insanity. The legend of Dymphna shares a strong connection to the identity of Geel, "the charitable city".

Vika Begalska

°1965
Born in Dnipro, UA
Works in Moscow, RU

Victoria Begalskaya (also Vika Begalska) is originally from Dnepropetrovsk (now Dnipro), Ukraine. She graduated from the Kharkiv Academy of Design and Arts, and she now works in Moscow as a painter and film artist. In her films, Begalskaya makes a parody of familiar situations taken from daily life in Russia and Ukraine. Creating mocking, folkloric montages, she provides the viewer with a pitiless perspective on what social reality looks like in the Post-Soviet Era. In 2014, she founded Teresa Creative Union of Sex-Workers and Artists, a joint project in partnership with streetwalkers from Saint Petersburg. Together they developed a puppet theatre using cardboard cut-out figures, paintings and objects, where encounters between sex workers and their clients are staged, given a shape in which the tragedy of the theme always hovers between the moral and the cheerfully debauched.