The exhibition project Middle Gate II – The Story of Dymphna is a collaboration between M HKA (Museum of Contemporary Art Antwerp) and the cultural centre de Werft in Geel. Middle Gate II is the follow up to the exhibition Middle Gate, curated by Jan Hoet in Geel in 2013. The exhibition concept is closely tied to the legend of the holy Dymphna, saint of the possessed, the mentally ill and patroness against epilepsy and insanity. The legend of Dymphna shares a strong connection to the identity of Geel, "the charitable city".

Danny Devos

©Collection Flemish Community
Wurger van de Linkeroever / Gazet van Antwerpen, 1994
Mixed Media , elk 44.5 x 32.1 cm
41 ingelijste microfilmafdrukken in kader; sommige zijn overschilderd.

The thin line between ‘normal’ and ‘deviation’ is what characterises Danny Devos’ performative practice as an artist. One basis of his practice is based around the schizoid personality. We understand from psychological profiling that some deviant personalities tend towards emotional detachment, secretiveness and social apathy, whilst also creating rich and idiosyncratic internal worlds. Such personalities include to a heavy degree: inventors, scientists, criminals, religious thinkers, and also artists. Devos has maintained correspondence with convicted serial killers since the mid-1980s, to gain a deeper understanding of their motives. It has led to several works referencing criminals and their crimes. Devos exchanged letters with Michel B. – the so called ‘Wurger van de Linkeroever’ (‘Strangler of the Left Bank’), which led to this work. For Wurger van de Linkeroever – 1, he took articles from four different Belgian newspapers about the case of B., blocking out the other articles on the page. For Wurger van de Linkeroever – 2, he created a series of six metal objects with photos and fragments of correspondence between himself and B.