The exhibition project Middle Gate II – The Story of Dymphna is a collaboration between M HKA (Museum of Contemporary Art Antwerp) and the cultural centre de Werft in Geel. Middle Gate II is the follow up to the exhibition Middle Gate, curated by Jan Hoet in Geel in 2013. The exhibition concept is closely tied to the legend of the holy Dymphna, saint of the possessed, the mentally ill and patroness against epilepsy and insanity. The legend of Dymphna shares a strong connection to the identity of Geel, "the charitable city".

Els Dietvorst

Skull 3, 2015
Sculpture
wood, loam

The third Skull (2015) was made during the ten days of the Moscow Biennal of Contemporary Art and was a metaphor for immigration, respect and human transcendence.

Sculpture is beside drawing, writing and video an important medium in my artpratice. I started the Skull-series out of disbelieve and anger on the black pages of human history. The Skull-sculptures became a metaphor for useless violence and a symbol for human respect, gathering and transcendance. 

The form of every skull is based on the Skull of a Neanderthaler. The Neanderthaler is often pictured in history as a brute but was peacefull and shared peacefull rituals.They vanished when modern humans arrived in Europe. The teeth in all of the Skull-series are human beings refering to 'us' the people. Mostly I use natural materials as wood, loam and clay to give the sculptures a fragile skin. The Skull sculptures also serve as a refuge, you can hide, shelter, meet in it. I see the Skull series as a strong symbol that links us and that belongs to us all, humans. I see it also as a fragile and at the same time strong metaphor against violence.