The exhibition project Middle Gate II – The Story of Dymphna is a collaboration between M HKA (Museum of Contemporary Art Antwerp) and the cultural centre de Werft in Geel. Middle Gate II is the follow up to the exhibition Middle Gate, curated by Jan Hoet in Geel in 2013. The exhibition concept is closely tied to the legend of the holy Dymphna, saint of the possessed, the mentally ill and patroness against epilepsy and insanity. The legend of Dymphna shares a strong connection to the identity of Geel, "the charitable city".

Wout Vercammen

(c)image: Wim Van Eesbeek
KYRPWWAWAX, International Happening News, Happening in een heerlijke stad IV [KYRPWWAWAX, International Happening News], 1965
Poster , 28 x 44 cm
black ink, pink paper

The happenings with which Panamarenko was involved were announced by a series of posters, which were distributed, hung in cafés and posted at various locations around the city, including the walls of the Academy of Fine Arts. The posters were designed by Wout Vercammen, Hugo Heyrman and Panamarenko. The first one, produced by Wout Vercammen, refers both formally and in terms of its content to Paul van Ostaijen’s famous collection of poems Occupied City (1921), which fell somewhere between Expressionism and Dadaism. This Dadaist line was extended into the following posters by, for instance, turning a poem from Occupied City into a collage. Heyrman continued to apply and develop the collage medium in the posters that followed, giving the happenings a title and a form, and preserving their otherwise ephemeral visibility.

Poster for the happening (with Yoshio Nakajima, Wout Vercammen, Panamarenko, Hugo Heyrman) on August 6, 1965 in Ostend.

Also included in the magazine, Milkyways and happenings nr.4, p.2, 1965.